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SOHO EDITORS FCP EXPO at IBC: Final Cut Pro X, across the world
Right, so this year we’re gonna show Final Cut Pro X at IBC”, announced Brian Cantwell, Managing Director of Soho Editors, to our busy office early one mid-August morning. Imagine John Landis’ Trading Places scene when the trading floor is waiting for the final orange juice numbers. Pop in the capsule, cup under the dispenser and watch the caffeine run free.
Over the next 5 weeks, our training team researched, scheduled, pencilled, and
debated (argued) all things Final Cut Pro X. We wanted to show everyone
just how much Apple’s NLE editor was plugged into the international post
production industry. Though, after the first week we realised FCPX’s
support stretched much deeper than the rabbit hole that we knew.
Did you know Final Cut Pro X has a place in the world of virtual reality, or that it has the ability to digest 4K media faster than a thought? The number of new workflows utilising FCPX is so immense, there are more than you can stake a shick at. It was difficult to choose which partners to work with from so many, but we knew which ones we needed to share. With the likes of AJA’s 4K and UltraHD hardware, Blackmagic’s UHD & FCPX workflows, Tim Dashwood’s FCPX Stereoscopic 360VR plugins and Frame.IO’s cloud based project viewer that reaches to users across the world, just to name a few, our collective would make Bond villains blush.
We partnered up with a few companies including the US based FCPWORKS and
founders Noah Kadner & Monica Reina. Together, we created the FCP
EXPO in Amsterdam alongside IBC. Our aim: to let the international
community know the true depth of Apple’s Final Cut Pro X.
With keynote presentations in hand, and backup drives at the ready, we were
excited as the clock ticked down from 4 weeks to 2! Then, suddenly, it
was on our doorstep, knocking frantically. We were confident,
though. It was 35 days of continuous planning and cooperation from all
parties that we knew it was going to go well. It went better than
expected.
With the coffee still flowing,
it was Saturday morning in Amsterdam, and all the partners dressed in their
office best and were rearing to go. Our post production family grew and
included Softron’s multicamera onset solutions and FxFactory’s newest plugins
for Final Cut Pro X. We had special guest speakers such as Editor Thomas
Carter and why Final Cut Pro X is his NLE of choice, Metronome’s Ronny Courtens
showing their workgroup environment and Oliver Holtkamp, primetime TV editor,
discussing just how powerful Final Cut Pro X is with the right hardware.
Even Apple themselves joined us and kicked each day off with the first
presentation . . . and they hardly ever talk to the public.
The two full days of presentations had an excellent turnout as many ventured the short walk from the RAI to join us. Our very own Alex Snelling and Rory Cantwell demo’d tips and tricks of Final Cut Pro X, and Motion, to the growing crowd throughout the weekend; standing room only by 3pm.
It was a successful weekend, and very informative, even for our training
team. To top it all off, the most rewarding part was having many talented
people from all over the world in one room attending our FCP EXPO. Not
just our presenters and partners, but also our audience. From the
industries as far east as Japan, to the sunny surfing climes of west coast USA,
we had an array of skill sets present. From technical editors to
producers and cinematographers, all were interested to see what Final Cut Pro X
had to offer their workflow, and they did not leave disappointed.
After the 5 week deadline and delivery, we were pleased with the end result.
We had packed 3 months’ worth of planning into a short period and, just as we
were for the first day of the FCP EXPO, we were excited to close the last box
full of cables and flyers. At the end, our partners and trainers milled
about chatting with stragglers about their presentations. Some even
skipped off to continue their discussions at the IBC parties of the night.
However, we were ready for our beds, and finally found the chance to switch up
our coffee mugs for merry pints, and take that deep breath of calm at the end
of Sunday.
We have always known that Final Cut Pro X was making its way across all the big post houses around the world, and this event has shown us really how far it has come, and its real potential. There may be naysayers out there ready to shoot down any argument in defence of their preferred editor, but all we have to say to them is, regardless of their position or skill set, “just give it a try”. One more flat white, please!
Author: Amanda MK Caldeira - Soho Editors Training Manager
Right, so this year we’re gonna show Final Cut Pro X at IBC”, announced Brian Cantwell, Managing Director of Soho Editors, to our busy office early one mid-August morning. Imagine John Landis’ Trading Places scene when the trading floor is waiting for the final orange juice numbers. Pop in the capsule, cup under the dispenser and watch the caffeine run free.
Over the next 5 weeks, our training team researched, scheduled, pencilled, and
debated (argued) all things Final Cut Pro X. We wanted to show everyone
just how much Apple’s NLE editor was plugged into the international post
production industry. Though, after the first week we realised FCPX’s
support stretched much deeper than the rabbit hole that we knew.
Did you know Final Cut Pro X has a place in the world of virtual reality, or that it has the ability to digest 4K media faster than a thought? The number of new workflows utilising FCPX is so immense, there are more than you can stake a shick at. It was difficult to choose which partners to work with from so many, but we knew which ones we needed to share. With the likes of AJA’s 4K and UltraHD hardware, Blackmagic’s UHD & FCPX workflows, Tim Dashwood’s FCPX Stereoscopic 360VR plugins and Frame.IO’s cloud based project viewer that reaches to users across the world, just to name a few, our collective would make Bond villains blush.
We partnered up with a few companies including the US based FCPWORKS and
founders Noah Kadner & Monica Reina. Together, we created the FCP
EXPO in Amsterdam alongside IBC. Our aim: to let the international
community know the true depth of Apple’s Final Cut Pro X.
With keynote presentations in hand, and backup drives at the ready, we were
excited as the clock ticked down from 4 weeks to 2! Then, suddenly, it
was on our doorstep, knocking frantically. We were confident,
though. It was 35 days of continuous planning and cooperation from all
parties that we knew it was going to go well. It went better than
expected.
With the coffee still flowing,
it was Saturday morning in Amsterdam, and all the partners dressed in their
office best and were rearing to go. Our post production family grew and
included Softron’s multicamera onset solutions and FxFactory’s newest plugins
for Final Cut Pro X. We had special guest speakers such as Editor Thomas
Carter and why Final Cut Pro X is his NLE of choice, Metronome’s Ronny Courtens
showing their workgroup environment and Oliver Holtkamp, primetime TV editor,
discussing just how powerful Final Cut Pro X is with the right hardware.
Even Apple themselves joined us and kicked each day off with the first
presentation . . . and they hardly ever talk to the public.
The two full days of presentations had an excellent turnout as many ventured the short walk from the RAI to join us. Our very own Alex Snelling and Rory Cantwell demo’d tips and tricks of Final Cut Pro X, and Motion, to the growing crowd throughout the weekend; standing room only by 3pm.
It was a successful weekend, and very informative, even for our training
team. To top it all off, the most rewarding part was having many talented
people from all over the world in one room attending our FCP EXPO. Not
just our presenters and partners, but also our audience. From the
industries as far east as Japan, to the sunny surfing climes of west coast USA,
we had an array of skill sets present. From technical editors to
producers and cinematographers, all were interested to see what Final Cut Pro X
had to offer their workflow, and they did not leave disappointed.
After the 5 week deadline and delivery, we were pleased with the end result.
We had packed 3 months’ worth of planning into a short period and, just as we
were for the first day of the FCP EXPO, we were excited to close the last box
full of cables and flyers. At the end, our partners and trainers milled
about chatting with stragglers about their presentations. Some even
skipped off to continue their discussions at the IBC parties of the night.
However, we were ready for our beds, and finally found the chance to switch up
our coffee mugs for merry pints, and take that deep breath of calm at the end
of Sunday.
We have always known that Final Cut Pro X was making its way across all the big post houses around the world, and this event has shown us really how far it has come, and its real potential. There may be naysayers out there ready to shoot down any argument in defence of their preferred editor, but all we have to say to them is, regardless of their position or skill set, “just give it a try”. One more flat white, please!
Author: Amanda MK Caldeira - Soho Editors Training Manager