Senem Y. Colourist.
Senem is a colour grading artist with over ten years of experience in the post-production industry. After beginning her career as a telecine assistant, experiencing both film negative and digital formats, she became Lead Colourist and Head of a Department at IMAJ.
During her career, she has
had the opportunity to work with industry leading brands including;
P&G, Coca Cola, Unilever, L’Oréal, and Vodafone and has worked with
advertising agencies such as JWT, TBWA and DDB. Alongside commercials, she also
grades feature films, music videos and documentaries but her passion lies in grading beauty films and landscapes.
108” viral for the honey brand. Kozmlik Productions / Jammy Fellow (Baselight)
6 x 2-3’ viral films. Autonomy Productions (Baselight).
2 x 60” emotional online films. WBR Productions (Baselight).
2’ viral for custom designed T-shirt company. Depo Films (Baselight)
1’ viral for top job search engine. Kosmik Films (Baselight).
72” TVC for new shampoo range. Depo Films (Baselight).
47” TVC for Shampoo brand. Depo Films (Baselight)
103” Depo Films (Baselight)
93” TVC, shot 2perf 35mm. Filmpark (Baselight)
48” TVC. Depo Films (Baselight).
99” TVC, Dinamo Films (Baselight).
58” TVC for Coca Cola’s new promotion. Autonomy (Baselight)
93” TVC. Dinamo Productions (Baselight).
63” TVC. Haciyatmaz Productions (Baselight).
43” TVC. First Unit Productions. (Baselight)
42” TVC. Dinamo Films (Baselight).
40” TVC. Depo Films (Baselight).
57” TVC for women’s shampoo brand. Depo Films (Baselight)
46” TVC, Autonomy (Baselight).
69” TVC. Bocek Film Productions (Baselight).
70” TVC. Anima Productions (Baselight).
45” TVC (Baselight)
48” TVC for jewellery brand. Depo Films (Baselight)
52” TVC kids fashion brand. Depo Films (Baselight).
110” TVC for deodorant brand, starring Survivor contestants. Kala Films (Baselight)
45” TVC for a music and entertainment store. Kala Film Productions (Baselight).
65” TVC for one of the biggest banks in Turkey. Autonomy (Baselight)
3’ TVC for BNP Paribas. Kala Film Productions (DaVinci Resolve)
60” TVC for a fuel company. Autonomy (DaVinci Resolve)
55” TVC. Bocek Productions (Baselight)
73” TVC for a credit card brand. PToT Films (Baselight).
110” TVC for bottled water brand. Kala Film Productions (Baselight).
A series of funny adventures await the trio of Yeliz, Deniz and Ahmet, as Ahmet tries his best to protect his girlfriend from his jealous sister Yeliz's devious plots. (Baselight).
Upon turning eight-teen, Salih leaves the orphanage to go on a journey that uncovers bitter truths of a war-ridden past. (Baselight).
An ordinary story that started in pursuit of a missing girl case and turned into a funny adventure game. (Baselight).
Story of a problematic relationship between 20 year old handsome but traumatic young man and a middle aged porn star. (Baselight).
Comedy, Romance : Brilliant comedy actor Ata Demirer plays two different characters ; himself and his mom in this romantic comedy. 2016 ( Baselight)
Senem Y.'s Software Skills
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.