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Sariel H.
Sariel H. Editor (offline), Motion Graphic Designer, Camera Operator, DOP.
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Sariel is a strong editor whose primary concern has always been with the craft of story-telling, a skill that has been lent to and strengthened by the work he has done commercially. His work has been selected for festivals and received finalist and highest commendation accolades. He has worked with some huge brands including, Laphroaig, VW, EE, Walkers, Tesco, Natwest, Adidas, Xbox, Formula 1, Formula 1 Esports, Gusto, Snapchat, and Budweiser as well as for corporate giant, PWC. He has also edited short form documentaries for Channel 4 and BBC Three.
7’ Doc, The story of three Senegalese woman who are trained to become silversmiths in the shelter they live in to escape the poverty and trauma that brought them there
9’ Short form documentary about a young man leaving the extremist online content he was engaging with and helping others to do the same.
15’ Aaron Arter, a young man with learning difficulties becomes a local hero during the pandemic through his love of Elvis. Featured on the Guardian.
5’ The online arts magazine visited the studio of Bethnal Green based emergent artist Sang Woo Kim to discuss his work and inspirations.
3’ The online arts magazine visited the studio of Brixton based emergent artist Milla Eastwood to discuss her work and inspirations.
3’ The online arts magazine visited the studio of Hackney Wick based emergent artist Luke Waller to discuss his work and inspirations.
Formula 1, Production: GFinity (Editor)
Production: Claire Reynolds. (Director, Editor)
Client: Adidas, Production: 1st Ave Machine (Editor)
Client: VCCP, Production: 1st Ave Machine (Editor)
Client: LBI Digitas, Production: HoiPolloi (Editor)
Production: Edelmans. (Editor).
Client: Unilever. Production: Greatcoat Films. (Editor).
Vox pops. Production: Greatcoat Films. (Editor).
Production: BBH. (Editor).
4 x 2’ marketing content films. (Producer / Editor).
Client: BlackSheep Production: HoiPolloi (Editor).
Production: Whitelabel. (Editor).
B2B, Client: The Team Production: Sariel Heseltine (Editor)
4x films retrospective - Production: The team (Editor).
Client - The Team
Client: Get Elastic. Production: Greatcoat Films. (Editor).
“So Far” - Music Video (Editor)
“Some Nights” – Music video. (Editor)
“Hello” – Music video. (Editor)
Client: HP. Production: Edelmans (Editor)
Client: Edelmans. Production: 1st Avenue Machine. (Editor)
90’ Doc, A village in Wales tears itself apart of the arrival and housing of migrants in a former MOD base who’ve crossed the channel by boat. The arrival of a rightwing agitator only makes matters worse and instigates the rise of The Pembrokeshire Patriot and subsequent downfall.
Client: RUYA Foundation. (Producer / Editor).
Production: BBC Three. (Editor).
Short film, receiver of Highest commendation London World Wide Comedy Short Film Festival 2020.
Short film, receiver of Highest commendation London World Wide Comedy Short Film Festival 2020.
Short mockumentary. Production: BBC Green Room. (Editor).
A series BBC3 commissioned to launch its move online. YouTuber Thomas Gray searches Britain to find what it means to be a man today.
Production: BBC Three. (Editor).
A series BBC3 commissioned to launch its move online. YouTuber Thomas Gray searches Britain to find what it means to be a man today.
Production: BBC Three. (Editor).
Short mockumentary.
Client: BBC Green Room. Production: The Wagon (Editor).
5’ Short drama. Client: Hatty Green. (Editor)
2’ short factual / drama. Client: Billy Ruffian. (Editor).
Sariel H.'s Software Skills
Sariel is an advanced user of Premiere.
Sariel is an advanced user of AFX.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
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