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Sariel H.
Sariel H. Editor (offline), Motion Graphic Designer, Camera Operator, DOP.
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Sariel is a creative editor commended for his willingness to make a strong narrative contribution to crafting an edit. Sensitive to the tone and themes of the footage he is able to adapt easily to the requisites of a project and cut in a way that compliments the story being told. Sariel particularly enjoy working with huge amounts of footage to refine emotive and passionate stories, but equally he has always enjoyed finding a way around working with little to do a lot. Sariel is particularly fond of the observational approach to documentary, and has a strong eye for finding the kernel of a scene and a good feeling for its rhythm. He is just as happy to be given a brief and work to that he is working side by side with a director or edit producer. The last few projects he has worked on have been a mix of presenter led, character led, archival, observational and current affairs and he has enjoyed adapting to each and where necessary borrowing the skills learned from the different styles to make compelling and in some cases award nominated stories. The series he recently edited Kingpin Cribs was nominated for a Bafta and won a Broadcast digital award and the 60 minute special ‘Untold: The Secret World of Incels’ was also nominated for a Broadcast award.
60’ Presenter Led Documentary Global Cycling Network Editor
60’ Documentary BBC Offline Editor
10’ Documentary Channel 4, Zandland Productions Online Editor, Colourist, Dubbing Mixer
2 12’ Documentary Channel 4, Zandland Productions Online Editor, Colourist, Dubbing Mixer
60’ Documentary BBC Studios, ABC, Zandland productions Offline Editor, Online Editor, Colourist, Dubbing Mixer
17’ Documentary Channel 4, Zandland Productions, Offline Editor, Online Editor, Colourist, Dubbing Mixer
60’ Documentary BBC Studios, ABC, Zandland Productions Online Editor, Colourist, Dubbing Mixer
17’ Documentary Channel 4, Zandland Productions Online Editor, Colourist, Dubbing Mixer
17’ Documentary Channel 4, Zandland Productions Offline Editor, Online Editor,Colourist, Dubbing Mixer
60’ Documentary BBC Studios, ABC, Zandland Productions Online Editor, Colourist, Dubbing Mixer
17’ Documentary Channel 4, Zandland Productions Online Editor, Colourist, Dubbing Mixer (Broadcast)
60’ Documentary, Channel 4 Channel 4, ZandlandProductions Offline Editor (Broadcast)
Archive documentary featurette 60’ Editor / Director.
The Team.
Episodes 1-6, Documentary. Channel 4, BBC Studios for Zandland Productions.
Offline Editor, Online Editor, Colourist, Dubbing Mixer.
60’ Documentary, Channel 4 for Zandland Productions. Offline Editor.
90’ Doc, A village in Wales tears itself apart of the arrival and housing of migrants in a former MOD base who’ve crossed the channel by boat. The arrival of a rightwing agitator only makes matters worse and instigates the rise of The Pembrokeshire Patriot and subsequent downfall.
Client: RUYA Foundation. (Producer / Editor).
Archive documentary featurette 60’ The Team Director, Editor
Feature doc, Independent, Editor, Director
Digital Doc 16 mins Channel 4, Zandland Productions, Offline Editor
Digital Doc 18 mins Channel 4, Zandland Productions Offline Editor
9’ Documentary, Channel 4 Channel 4, My Accomplice, Editor
Production: BBC Three. (Editor).
10’ Comedy documentary (Director, Editor).
10’ Comedy documentary (Director, Editor).
Greenwave , Director and Editor
3’ The online arts magazine visited the studio of Brixton based emergent artist Milla Eastwood to discuss her work and inspirations.
Production: Edelmans. (Editor).
Client: Unilever. Production: Greatcoat Films. (Editor).
Vox pops. Production: Greatcoat Films. (Editor).
Production: BBH. (Editor).
4 x 2’ marketing content films. (Producer / Editor).
Client: BlackSheep Production: HoiPolloi (Editor).
Production: Whitelabel. (Editor).
Client: Get Elastic. Production: Greatcoat Films. (Editor).
“Some Nights” – Music video. (Editor)
“Hello” – Music video. (Editor)
Client: Edelmans. Production: 1st Avenue Machine. (Editor)
Short mockumentary. Production: BBC Green Room. (Editor).
Short mockumentary.
Client: BBC Green Room. Production: The Wagon (Editor).
2’ short factual / drama. Client: Billy Ruffian. (Editor).
Sariel H.'s Software Skills
Sariel is an advanced user of Premiere.
Sariel is an advanced user of AFX.
Sariel is an advanced Avid Offline Editor.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
