Sarah R. Motion Graphic Designer, Editor (offline), 3D Animator, Animator.
Sarah has worked for 6 years as a motion graphic designer and has over 10 years’ experience in video production and design.
Throughout her career she has excelled across broad range of visual media, from animated social posts to short form documentary. She has worked both alongside clients developing videos for ad campaigns and been behind the scenes, creating visual content as part of the pitch process.
She has a strong working knowledge across the Adobe Creative Cloud with excellent knowledge in After Effects, Premiere Pro and the C4D Studio. Sarah has a solid background in camera work and a strong eye for design with a love of illustrating her own work.
10, 15 and 20sec international social content for American Express Business Cards. Prodigious (AFX)
Early Days – Behind the Scenes. A range of content/platforms to promote album ‘New’. MPL (Premiere Pro)
Star Wars Day Instagram post. Prodigious (C4D/AFX)
10 sec international social content for Pampers wipes. Prodigious (AFX)
10sec looping social posts for Star Wars/Duracell collaboration. Bisqit. (AFX)
edit and overlays for a worldwide conference streamed internationally. Publicis Media. (AFX/Premiere Pro)
various branded content for yearly Zenith conference. Zenith Media (AFX)
2min film examining Rolex campaign. Publicis (AFX)
90sec film examining Mars yearly results. Publicis. (AFX)
90sec film celebrating successful HSBC campaign. (Premiere Pro/AFX)
2min film examining Acer influencers in 2018. Publicis. (AFX)
2min film demonstrating Publicis program for new parents. Publicis. (AFX/Premiere Pro)
90sec film celebrating successful eOne campaign for ‘I, Daniel Blake’. Publicis. (AFX/Premiere Pro)
various length films for use in Beeko International Conference. MSL (C4D/AFX).
2min animated infographic examining pharmaceutical industry. Bisqit (AFX)
Home heating app pitch concept. Saatchi & Saatchi. (C4D/AFX)
90second film looking at gender targeting. Zenith. (AFX)
2min film about use of dating apps for audience targeting. Zenith. (AFX)
2min Adidas audience/mood piece for Publicis pitch. (Premiere Pro/AFX)
4x30sec taster films for L’Oreal pitch. Publicis. (Premiere Pro/AFX)
90sec audience film for Sky pitch. Publicis. (Prem/AFX)
1min mood piece for F1 pitch. Publicis. (Prem)
90sec taster for Telefonica pitch. (Prem/C4D/AFX)
Pipes of Peace Deluxe Album – 6-minute film about recording Pipes of Peace. (Premiere Pro)
Pipes of Peace Deluxe Album – 4minute short film looking at Paul McCartney and Michael Jackson working together. (Premiere Pro)
Venus & Mars Deluxe Album 8minute short film looking at album recording in New Orleans. (Premiere Pro)
Wings at The Speed of Sound Deluxe Album 13minute short film looking at the Wings tour. MPL (Premiere Pro)
Wings at The Speed of Sound Deluxe Album – 3minute short film looking at Wings while in Venice. MPL (Premiere Pro)
Sarah R.'s Software Skills
Sarah uses AFX on an advanced level.
Sarah uses PP on an advanced level.
Sarah uses C4D on an intermediate level.
Sarah uses Illustrator on an intermediate level.
Sarah uses Mocha on an intermediate level.
Sarah uses PS on an intermediate level.
Sarah uses X-Particles on an intermediate level.
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.