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Samuel T. Editor (Offline / Online), Audio Editor, Camera Operator, Colourist, Creative Editing, DIT, Motion Graphic Designer.
Sam is a creative, determined and pragmatic freelance filmmaker, working predominantly as a video editor but with a range of other abilities to his name. During his expansive and diverse employment over 7 years in the film and television industry Sam has grown his knowledge and experience to furnish himself with the best tools and talents to be able to tell the most compelling and unique stories on behalf of clients.
He has worked as a media professional for a myriad of big (and smaller) name clients (including AP, Ogilvy and Hogarth), and in roles lasting from a few days to a few years. His projects run the gamut from music videos and features to online, charity work, events and bold and impactful social media campaigns.
In addition to his technical and storytelling abilities Sam brings a cool head and affable attitude to the work, with the experience necessary to be able to focus on and amplify what makes each project shine, conveying this in a clear and concise way both to the client and through the work itself.
ThroughTheBricks (2021)- 2x 3m, 3x 1m, Editor/Animator/Colourist, Hogarth Worldwide and Lego, (Premiere Pro/AFX)
Monthly Influencer Product Lineup (2020-2021) (Various) 90s - 1m 30s, Editor/Animator/Colourist, Hogarth Worldwide and Boots, (Premiere Pro/AFX/Resolve)
Jan Sale, 2019 (2019), Editor/VFX, Digital Out of Home, 15s x 3, BA (Premiere Pro/AFX)
Philips Sonicare / Latte Go/ Airfryer - (2019), (Various) 20s - 1m 30s socials, Editor/Animator/Colourist, Philips, (Premiere Pro/AFX/Resolve)
Online Product Videos (2020), (Various) 20s - 1m 30s x30+, Editor/Animator/Colourist, Liz Earle, (Premiere Pro/AFX/Resolve)
What Will You Do? (2019), 20s x3, Editor/Animator, AMEX (Premiere Pro/AFX/Resolve)
Instructional Videos (2020), 2m x2, Editor/VFX/Animation, Vodafone (Premiere Pro/AFX)
VOXI (Various Online), 30s edits showing off creator content, Editor/Animation, Vodafone (Premiere Pro/AFX)
Christmas Plate Arrangement (2017), 90s, Editor/Animator/Colourist, ThroughTheI, M&S (Premiere Pro/Photoshop/AFX)
Reconnect Robbie (2017), 1x 2m15s, 2x30s, Editor/Animator/Colourist, Skoda, Frank PR, Markettiers 4DC (Premiere Pro/AFX)
Reconnect Ray (2017) 1x 1m, Editor/Animator/Colourist, Skoda, Frank PR, Markettiers 4DC (Premiere Pro/AFX)
Pulse Launch Event (2017), 1x 90s, Editor/Colourist, Adidas (Premiere Pro/Da Vinci)
Big Bang Fair 2017, on-site Editor/DIT, same day turnaround, GSK (Premiere Pro)
Adcard Points (2019) 2x 30s, 2 x 20s, Editor/Animator, Hogarth Worldwide and Boots, (Premiere Pro/AFX/Resolve)
‘What will you do?’ (2019) 3x 30s, 3 x 10s, Editor/Animator, Ogilvy, AMEX and BA, (Premiere Pro/AFX)
TVC/Online PreRoll ‘Introducing 100% Recycled Bottles’ (2019) 1x 45s, 2x 10s, Editor, Hellman’s, (AFX)
‘Work is Rewarding) (2019) 1x 90s, 2 x 30s, Editor, Hogarth Worldwide and Dove, (Premiere Pro)
Event Video (2021) 3m, VFX/Animation with Trapcode Particular, Maverick Media, (Premiere Pro/AFX - Trapcode Particular)
1 x 90 min documentary on the life of Sir Ranulph Fiennes. In Post for 2021 release, Conform Editor, Explorer Productions, (Da Vinci Resolve)
(2014), Horror Feature Film, 15 months after the apocalypse, a group of survivors are forced to take refuge in an abandoned school, where they encounter a mysterious zombie with the power to bring the undead back to life, Editor/DIT (FCP 7)
(2015), Camera Op/Editor, Danze Macabre (Shot on AF100, Premiere Pro/AFX)
(2017), Camera Op, Vex Red (A7s mk II)
(2017), DIT/1st AC, Naomi Banks (FS7/FCP X)
BBC - Avid Offline.
(Various), Editor/Animator, Associated Press (FCP X/ Premiere Pro)
Live, News Promos/Highlights (2016) Editor/Animator, Associated Press (Premiere Pro/FCP X/AFX)
(2014), Drama Short, Editor (Premiere Pro/AFX)
(2014), Comedy Short, Editor (Avid/AFX)
(2014), Comedy Short, Editor (FCP X/AFX)
(2015), Comedy Short, Film buff Lucy causes chaos in Max's life when she drunkenly phones the wrong number. After a heated conversation and garnering support from their friends, the two enemies find themselves on a blind date, Editor (Premiere Pro/AFX)
(2016), Thriller Short DIT/Offline/Assembly Editor (Premiere Pro)
Snapchat Highlights Reel, Olympics 2020 (2021), 2x Daily over 16 days at 3m each, Editor/Animator, Livewire Sport, (Premiere Pro/AFX)
Studio and location-based factual ent show for Curiosity Stream for Impossible Factual (Avid Offline)
Samuel T.'s Software Skills
Sam in a highly experienced PP offline and online editor.
Intermediate AFX op.
Sam is an Intermediate Avid offliner.
Sam uses Final Cut Pro, 7 & X proficiently.
Sam uses Final Cut Pro, 7 & X proficiently.
Sam is an intermediate Colourist.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.