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Paul H.
Paul H. Creative Editing, Editor (Offline / Online).
Paul is a well-seasoned editor with over 25 years editing experience. With such an extensive and rich experience in post-production he has a versatile and comprehensive understanding of a programmes’ structure and strengths. From creating powerful documentaries to fast paced action sequences, to targeted advertising branded content.
ITN PRODUCTIONS – 16 x 45min – CH5
S2 – BARCROFT – 16 X 25’ ITV
20 x 60mins Middlechild TV, CH5 ( Avid )
10 x 45
Renowened Films, The Weather Channel ( Avid )
Series 2: 30 x
45 mins Middlechild TV, CH5 Avid
10 x 45
mins, Raise the Roof, Ch5 ( Avid )
10 x 50min,
Barcroft Studios ( Adobe Premier )
10 x 45
mins Middlechild TV, CH5 ( Avid )
6 x 60 mins, Maverick TV for CH4 (Avid)
15x30 mins BBC daytime, Flame TV (Avid)
Inside Brookhaven Obesity Clinic, Discovery Mentorn US 6x60 (Avid)
Over 500 short form Audi UK 2minute Product films, Vertical Productions (Premiere, AFX, DVR, C4D, Audition)
UK product films, Vertical Productions, (Premiere, AFX, C4D, DVR, Audition)
Silver and Bronze @ EVCOM 10’’, 20’’, 60’’ campaign, BBH (Premiere, AFX, DVR)
20 X 2:00, Web Product Sales Films, AGCO (Premiere, AFX, DVR, Audition)
4x2mins, Online Web content and Promotional Films (Premiere, AFX, DVR, Audition)
35’’ Production description, ME+EM, (Premiere, AFX. DVR, Audition)
2 x 30’’ New Seasonal production release, Dazzleship (AFX)
12 x 2’mins, Yearly online teasers Brand pilot, Vertical Productions (Premiere, AFX)
2 x 60’’ Online Web Product Campaign, Vertical Productions (Premiere, AFX, DVR, Audition)
2 x 3:10min, Vertical Productions (Premiere, AFX, DVR, Audition
5 x 2-minute, Web hybrid awareness, Vertical Productions (Premiere, AFX)
James Moir.
Atomized & Gaggle Films. 15 versions TVC, press and online (DIT/ OFFLINE/
ONLINE/ GRADE / S.MIX)
THE EDGE – 1 X 120”
The Road to LeMan’s: Short Doc, Vertical Productions (Premiere, AFX)
Research films for Royal Mail, Jaguar, Land Rover, Vertical Productions (Premiere, FCP)
International Women’s day, social media campaign (Premiere)
Informational and Product Films, Vertical Productions, (Premiere, AFX)
Series of films following the SEAT BTCC team, Vertical Productions (Premiere, AFX, Audition, FCP)
Product range films for consumer camera range, Vertical Productions (FCP, AFX)
BTCC Social Media, Online content films, Vertical Productions (Premiere, AFX)
Various Internal Comms films, Vertical Productions (Premiere)
24 x 3-minute Portal instructional films, Fifty one Films, (Premiere, AFX)
23 x 20 sec internal films (Premiere, AFX)
Internal films, Vertical Productions (Premiere, AFX)
20’’ 30’’ Web Content, New Features and Models, Mercedes Benz (Premiere, AFX)
3’3’’ Training and Development Programme (Premiere Pro, AFX)
1 x 30 min, Nickelodeon (Avid)
1 x 30min, Nickelodeon (Avid)
6 x 5mins idents to introduce a series of films about food, Film Four (Avid)
Pilot, Spectrecom Films (FCP)
Attaboy TV – 18 x 45mins CH4 / BRAVO
8 x 60 mins, BBC1, IMG/TWI UK (Avid)
Brighter Pictures, CH5 (Avid)
6 x 46 mins, Sky one, Talkback Thames (Avid)
12 x 45min Inventors Roadshow, UK Horizon, ITV (Avid)
1 x 20 Sky one Productions for Ch4 (Avid)
13 x 30 mins, Ch5 (Avid)
28 X 45 mins, BBC 2 Daytime, Leopard Films (Avid)
11 x 60mins / US special, RDF Media for CH5 (Avid)
10 x 5 min + 1 x 60 mins, Studio Chat Forum, BBC4
12 x 30mins, BBC2 for Wall to Wall (Avid)
14 x 60 mins Endemol UK for CH5 (Avid)
12 x 30mins, Wall to Wall to BBC2 (Avid)
S1,2and 3 6 x 30mins CH4 (Avid)
10 x 30 min, Bravo 4D Productions (Avid)
Paul H.'s Software Skills
Paul is a highly experience offline & online Premier Pro editor.
Paul is an advanced user of After Effects.
Paul is an experienced user of Avid.
Paul is an advanced user of DVR.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
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