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Olly S.
Olly S. Motion Graphic Designer, Editor (offline), 3D Artist, 3D Animator.
Olly has over 10 years’ experience creating moving image content for global brands including Oakley, Adidas Originals, Reebok, Scuderia Ferrari and Virgin. He started working as an animator and VFX artist at a production company in Manchester before moving on to work as an editor and motion graphic designer at a creative agency. He has created branded content with Kendrick Lamar, MotoGP riders Marc Marquez, Valentino Rossi and Maverick Vinales, cyclists Bradley Wiggins and Mark Cavendish, along with Sir Richard Branson. He finds it fascinating working across different forms of moving image and the challenges each one brings, but above all, he loves to tell a great story and engage his audience.
We Are London content series- a series of six films for adidas Originals featuring London-based music artists and presenters. Premiere Pro (Offline editor)
Content series – a series of films promoting the Virgin Money London Marathon extramile website. four23 Ltd Premiere Pro (Offline editor)
Featuring Richard Branson – email gif promoting the launch of the Virgin Atlantic Credit Card. four23 Ltd. Premiere Pro, After Effects (Offline editor, colourist and keying)
360º Film 5min 18 secs, 360º film promoting the boxing and martial arts organisation Fight For Peace. four23.Ltd. Premiere Pro, After Effects, Autopano Giga and Video (Offline editor, stitch and patch, colourist)
Disruptive by Design immersive experience, Milan – 5min, 3 screen, immersive AV experience promoting the Scuderia Ferrari and Oakley product collaboration. four23 Ltd Premiere Pro, After Effects (Offline editor, animator)
Tubular Shadow Catwalk – 12min AV experience promoting the adidas Originals Tubular Shadow shoe. four23 Ltd. Premiere Pro (Offline editor)
Disruptive by Design immersive experience, Milan 5min, 3 screen, immersive AV experience promoting the Scuderia Ferrari and Oakley product collaboration. four23 Ltd Premiere Pro, After Effects (Offline editor, animator)
Immersive experience, London featuring Mark Cavendish 4min, 4 screen, immersive AV experience promoting the Beyond Reason campaign. four23 Ltd Premiere Pro, After Effects (Offline editor, animator)
Cinema Edit 30 sec cinema commercial for the OneObsession Campaign. four23 Ltd. Premiere Pro (Online editor)
Obsession Can’t Stop TV commercial featuring Valentino Rossi and Maverick Vinales – 30 sec commercial for the OneObsession campaign. four23 Ltd. Premiere Pro (Online editor)
Series featuring Joaquim Rodriguez – 1min 55 secs for the Disruptors Series. four23 Ltd. Premiere Pro, After Effects (Offline editor, animator)
Featuring Liam Phillips – 1min 20 secs for the In Residence London Campaign. four23 Ltd Premiere Pro (Offline editor)
Featuring Ben Swift – 1min 22 secs for the In Residence London Campaign. four23 Ltd. Premiere Pro (Offline editor)
Featuring Bradley Wiggins – 2min 17 secs promo for the In Residence London Campaign. four23 Ltd. Premiere Pro (Offline editor)
1min 38secs for Somerset House, played before the film4 Summer Screening films. four23 Ltd Premiere Pro (Offline editor)
2min 32secs for boxing and martial arts organisation Fight For Peace. four23.Ltd. Premiere Pro (Offline editor)
1min 37 secs for the Virgin Money customer lounges. four23 Ltd. Premiere Pro (Offline editor)
XbyO internal mood reel – 2min 31secs for the adidas Originals XbyO launch event in Paris. four23 Ltd. Premiere Pro (Offline editor)
Internal mood reel – for the adidas women’s, fitness and wellbeing space in London. four23 Ltd. Premiere Pro (Offline editor)
Design campaign internal mood reel – 1min 31sec for the Disruptive by Design campaign. four23 Ltd. Premiere Pro, After Effects (Offline editor, animator and VFX)
Campaign internal mood reel – 2min 21sec for the Beyond Reason launch event. four23 Ltd. Premiere Pro, After Effects (Offline editor, animator and VFX)
We Are London – 30sec for the adidas Originals We Are London campaign films. four23 Ltd. Premiere Pro (Offline editor)
Featuring Sebastien Loeb and Valentino Rossi – 20sec for the Change Perspective campaign films. four23 Ltd. FCP X, After effects (Offline editor, animator, colourist)
Bullet The Blue Sky – 7min 16sec visuals for the live performance of Bullet the Blue Sky by U2 on their Innocence and Experience world tour. four23 Ltd. Premiere Pro, After Effects (Offline editor, animator)
Olly S.'s Software Skills
Olly is an advanced user of Premiere Pro.
Olly is an advanced user of Final Cut Pro 7.
Olly is an advanced user of AFX.
Olly is an advanced user of Cinema 4D
Olly is an advanced user of Photoshop.
Olly is an advanced user of Illustrator.
Olly is an advanced user of In Design.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
