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Oliver C.
Oliver C. Editor (Offline / Online), Motion Graphic Designer, Compositor.
Oliver is a freelance editor and motion graphic designer with expertise in colour grading, sound mixing, and VFX. Having worked on projects of all shapes and sizes from features to TV commercials, to thumb-stopping social assets for some of the world’s biggest brands, music artists, and blockbuster movies, no project is too big or too small!
He has a fully remote studio in London; and having lived in Los Angeles for over a decade, he still serves clients on both sides of the Atlantic.
4x 1min. Motion Graphics (After Effects)
20x 30sec. Edit and Motion Graphics (Premiere Pro / DaVinci Resolve / After Effects / Photoshop / Illustrator)
29x 30sec. Edit and Motion Graphics. Sony Pictures (Premiere Pro / Cinema4D / After Effects / Photoshop)
3x 15sec. Edit and Motion Graphics (Premiere Pro / After Effects)
69x 15sec. Edit and Motion Graphics for ‘Farewell Yellow Brick Road: The Final Tour’ (Premiere Pro / After Effects)
3x 15sec. Edit and Motion Graphics (Premiere Pro / After Effects)
15x 15sec. Edit, Motion Graphics, Sound Desion. (Premiere Pro / After Effects)
4x 30sec. Edit and Motion Graphics. Sony Pictures (Premiere Pro / After Effects)
1x 45sec. Edit, Motion Graphics, Colour Grade, Sound Design (DaVinci Resolve, After Effects, Logic Pro X)
31x 30sec. Edit, Motion Graphics, Colour Grade, Sound Design (Premiere Pro / Cinema4D / After Effects / Photoshop)
4x 2min. Sound Mix for ‘LNERxPride’ (DaVinci Resolve Fairlight / Logic Pro X)
3x15sec. Edit, Colour Grade, and VFX Compositing (After Effects / DaVinci Resolve)
20x 30sec. Edit, Motion Graphics, Colour Grade, Sound Design. Sony Pictures (Premiere Pro / After Effects / Photoshop)
6x 30sec. Edit, Motion Graphics, Colour Grade, Sound Design. Universal Pictures (Premiere Pro / After Effects / Photoshop)
4x 15sec. Edit and Motion Graphics (Premiere Pro / After Effects)
7x 30sec. Edit, Motion Graphics, Colour Grade, Sound Design. Sony Pictures (Premiere Pro / After Effects / Photoshop)
4x 15sec. Edit and Motion Graphics for ‘If This Isn’t Nice Tour’ (Premiere Pro / After Effects)
2x 10sec. Edit and Motion Graphics (Premiere Pro / After Effects)
5x 30sec. Edit, Motion Graphics, Colour Grade, Sound Design. Sony Pictures (Premiere Pro / After Effects / Photoshop)
1x 2min. Offline Edit and Colour Grade (DaVinci Resolve)
1x 1min. Edit, Colour Grade, and Motion Graphics (DaVinci Resolve / After Effects)
2x 3min. Sound Mix. BBD (DaVinci Resolve Fairlight)
7x 1min. Edit, Motion Graphics, Colour Grade (Premiere Pro / After Effects)
1x60sec, 1x20sec, 1x15sec. Colour Grade. BBD (DaVinci Resolve)
1x 1min & 1x 15sec. Offline Edit and Motion Graphics (Illustrator / After Effects / Premiere Pro)
2x 90sec. VFX Compositing and Colour Grade (After Effects / DaVinci Resolve)
1x 1min. Offline Edit (Premiere Pro)
1x 3min. Offline Edit (Premiere Pro)
1x 40sec. Motion Graphics and Colour Grade (After Effects / DaVinci Resolve)
8x 1min. Offline Edit and Motion Graphics (Premiere Pro / After Effects)
1x 3min. Sound Mix (DaVinci Resolve Fairlight)
3x 15sec. Colour Grade (DaVinci Resolve)
1x 17min. Colour Grade and Online Edit (Davinci Resolve)
1x 10sec TVC. Offline Edit (Davinci Resolve)
1x 50sec TVC. Offline Edit and VFX Supervisor (DaVinci Resolve / After Effects)
4x 30sec Radio. Sound Mixing (DaVinci Resolve Fairlight)
1x 30sec. Edit and Motion Graphics (Premiere Pro / After Effects)
3x 15sec. VFX Compositing (After Effects)
5x 30sec OOH. Online Edit and Colour Grade (Davinci Resolve)
1x 30sec TVC. Offline Edit, Motion Graphics, Sound Desion. (Premiere Pro / After Effects)
1x 30sec. Edit and Motion Graphics (Premiere Pro / After Effects)
6x 30sec & 6x 15sec TVC. Online Edit (Davinci Resolve)
6x 10sec, 6x 5sec TVC, 6x 10sec OOH. Offline Edit, Foley and Sound Design (DaVinci Resolve Fairlight / Logic Pro X)
2x 30sec TVC. Motion Graphics (After Effects)
4x 10sec & 4x 5sec TVC. Offline Edit and Colour Grade (Premiere Pro / DaVinci Resolve)
1x 30sec TVC. Colour Grade (DaVinci Resolve)
1x 3min OOH. Offline Edit (Premiere Pro)
2x 20sec TVC. Online Edit (DaVinci Resolve)
5x 10sec OOH - Picadilly Circus. Offline Edit (Premiere Pro)
2x 30sec OOH. Online Edit and Motion Graphics (After Effects and Premiere Pro)
1x 30min show of Nilüfer Yanya. Offline and Online Edit and Colour Grade. From the Basement TV (DaVinci Resolve)
7min. Edit and Colour Grade (Davinci Resolve)
90min doc about John Lennon and Yoko Ono making the Imagine album. Assistant Editor. Channel 4 (Premiere Pro)
10min doc for the vinyl rerelease during the 2020 UEFA European Championship. Offline and Online Edit, and Colour Grade. Copa90 (DaVinci Resolve)
1x 1min. Motion Graphics. Chainsaw FIlms (Photoshop / After Effects)
Opening Titles. Motion Graphics. Chainsaw FIlms (Photoshop / After Effects)
Opening Titles. Motion Graphics. Obsession Pictures (After Effects)
Oliver C.'s Software Skills
Advanced Level.
Advanced Level.
Advanced Level.
Advanced Level.
Intermediate Level.
Intermediate Level.
Mid Level.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
