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Lajos P.
Lajos P. Editor (online), Colourist, Camera Operator.
Lajos is post-production expert with over 20 years’ of experience specialising in colour grading. He has a deep understanding of the moving image after starting his career as a cameraman/DoP and making his way through all stages of post-production including: offline and online editing, DIT, dailies colourist/operator and colourist.Throughout his varied career he has gained a solid knowledge base of short and long form cinema and commercials.
Lajos has a positive attitude which makes him a pleasure to work with in a grading session and the little gems of advice he can share will give your project that extra polish.
Sony Venice, Dir: Louise Hooper, Netflix
Dailies Operator
(83 min) ARRI, Dir: Louis Leterrier, Columbia Pictures
85 min - ARRI. Director:
Terry Jones, Bill and Ben Productions. Assistant Colourist.
94 min - ARRI Alexa. Director: Jim O'Hanlon - Cross Day Prods. Assistant Colourist.
82 min - Canon. Director: J.K. Amalou - Silver Leaf Productions. Assistant Colourist.
RED/elements. Directors: Damien Macé, Alexis Wajsbrot - Bigscope Films. Onset Colourist.
94 min - ARRI. Director: John Godschmidt - VIVA Films. Assistant Colourist.
150 min - RED. Director: David Batty - BigBook Media. Colourist.
98 min - Canon. Director: Tony Ukpo - Vertigo Heights. Colourist.
109 min - ARRI/dailies. Director: Simon Curtis - BBC/TWC. Dailies Colourist.
128 min - Panasonic HD. Director: Stuart J. Parkins - Beyond Mirrors / Mountview Films. Colourist.
110 min - 16mm. Director: Nihat Seven - Blind Pictures. Colourist.
120 min - RED. Director: Konstanti Ferstl - Zorro Film. Colourist.
150 min - RED. Director:
David Batty - BigBook Media. Colourist.
99 min - Canon. Director:
Tony Ukpo - Vertigo Heights. Colourist.
85 min - Sony HD. Director: Tim Barrow - Lyre Productions. Colourist.
17 min - RED. Director:
Aygul Bakanova - LFS/Aitysh Film. Colourist.
10 min - RED. Director: A. Kirkland, R Rafalat - KnockKnock/House of Wolves
6 min - ARRI Alexa. Director: Emilia Reid & D Haidar - Fortune Fil
16 min - ARRI Alexa. Director: T Manolo & T Sandler, Dead Pixel
13 min - RED. Director: Zaheer Ahmad - ESA Pictures
17 min - RED. Director: Jessica Lurel - LFS
25 min - ARRI Alexa. Director: Alessandro Alpini - LFS
12 min - RED. Director: Uri Stramer - LFS
23 min - ARRI Alexa. Director: Daina Pusic - LFS
24 min - RED. Director: Brian O'Toole - LFS
12 min - RED. Omar Zavala - LFS
ARRI, Dir: A Ianucci, HBO
Dailies Operator
ARRI, Dir: Ben Stiller, Paramount Pictures
Colour Workflow Specialist (Territory)
ARRI, Dir: Louis Leterrier, Columbia Pictures
Digital imaging technician
Comedy Central
92 min - Canon. Director: Aleks Nikolic
24 min - Canon. Director: Stephan Bookas - Independent
86 min - Sony HD. Director: Mike Clear - Going The Distance
76 min - Sony HD. Director: Tracy Worcester - Pig Business/Channel4
66 min - DSLR/SonyHD. Director: Ella Todd - Environment Films
Fluent
Corporate Video
Lajos P.'s Software Skills
Lajos is a highly experienced DS Online Editor.
Lajos is a highly experienced Avid Online Editor.
Lajos is a highly experienced DaVinci Resolve Colourist.
What Our Clients Say
We had a really lovely time working with Lajos! He fixed lots of bits which needed to be fixed so everyone was happy.
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
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