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Gareth P.
Gareth P. Creative Editing, Motion Graphic Designer, Compositor.
Gareth is a creative editor and passionate story teller who has a love of film language. His career has enabled him to become an expert in a wide range of film making skills. Having worked as a Senior Editor at Rankin working on a range of high-profile fashion brands he gained a wide range of experience editing Commercials, music videos and fashion films.
Recently back from Hong Kong where he directed and edited a TVC for Canon. His love of film and film language has naturally developed into writing short film scripts. Editing narrative is something he endeavors to do more of having recently worked with Lena Heady on her short film The Trap which comes out later on this year.
6.16. A comical documentary, For International Dance Day, Rankin decided to go in front of the camera instead of behind to show off one of his lessor known talents. Off line Prem, Grade Da Vinci.
60 sec. An experimental edit advertising a gallery event hosted by Sotheby's and Coco de Mer. Rankin Film. Off line Prem, Vfx After Effects, Grade Da Vinci.
60 sec. A fast paced edit with four models having fun in a photo booth using the products. Rankin Film. Off line Prem, Vfx After Effects.
60 sec, #MadeReal campaign showing how different worlds are connected by a shared sense of gratitude. Rankin Film. Off line Prem, Vfx After Effects.
10 SEC. A contemporary creative concept that showcases selected QVC fashion and beauty products for fall/winter 2018/2019. The Full Service, Off line Prem, Vfx After Effects.
1.50. Taking place in a dark sumptuous gallery space, reminiscent of the internationally renowned London boutique, where Neo-classical meets Baroque in the look and feel of the film. Rankin Film. Off line Prem, Vfx After Effects.
TVC 40 sec. Using dancers instead of models, the edit reveals the movement and style offered by each product, showcasing a contemporary clothing brand for a contemporary world. Saatchi & Saatchi shanghai / Rankin film, Off line Prem, Vfx After Effects.
TVC. 30 sec. One of a collection of beauty films, edited to music showing the Triumph range of under ware. The Full Service, Off line Prem, Vfx After Effects.
TVC. 30 SEC, exhilarating-and visceral edit using quick cuts to show the feeling of drinking a Schweppes G&T. The Full Service, Off line Prem, Vfx After Effects.
30 SEC. TVC. Mirror sets, flower themes and a killer sound track all come together to form something for the true rock and roll, femme fatale. The Full Service, Off line Prem, Vfx After Effects.
30 sec. TVC. Energetic edit which shows kids having fun while wearing watches. The Full Service. Off line Prem.
36 sec. Online film. A group of people across different walks of life come together to play the game ending with a battle cry. Across The Pond. Off line Prem.
TVC, 60 sec. Hypnotic edit showing the opulence of the Chow Tai Fook jewelery. The Full Service, Off line Prem, Vfx After Effects.
TVC, 60 SEC. Using layering models show off the bags creating a flowing composition of movement in a studio. The Full Service, Off line Prem, Vfx After Effects.
TVC, 1.18. A fast and building edit telling the story of a high-octane chase, placing the car as the ultimate hunter. Rankin Film. Off line Prem, Vfx After Effects.
60 sec. Futuristic and fast edit, a mix of live action, Cgi and stock footage. Carbon TV Hong Kong. Offline Prem.
6.16. A comical documentary, For International Dance Day, Rankin decided to go in front of the camera instead of behind to show off one of his lessor known talents. Off line Prem, Grade Da Vinci.
3.28. Music Video, Sneek Films, Offline Prem, Vfx, After Effects.
6.01. Music Video, Pias, Offline Prem, Vfx After Effects
3.27. Music Video, Sony, Offline Prem
3.39. Music Video, Kitsune, Offline Prem, Vfx After Effects
3.40. Music Video, Offline Prem
3.27. Music Video, Oaka, Offline Prem
3.27. Music Video, Odelay Films, Offline Prem
3.42. Music Video, Odelay Films, Offline Prem
3.24. Music Video, Brilliance, Offline Prem, Vfx, After Effects.
4.06. Music Video, Dirty Hit, Offline Prem, Vfx, After Effects.
4.03. Live Performance, Virgin, Offline Prem
4.45. Live Performance, Virgin, Offline Prem
3.10. Music Video, Film Band, Offline Prem
3.43. Music Video, Dirty Hit, Offline Prem
4.32. Music Video, Dirty Hit, Offline Prem
3. 09. Music Video, Rankin Film, Off line Prem. Vfx, After Effects.
3.27. Music video, Rankin Film, Off line Prem.
Rankin Films. VFX After effects
0.53, Fashion Film. Offline Prem. VFX After Effects
1.22, Fashion Film. Offline Prem. VFX After Effects.
1.16, Love Magazine Christmas Calendar. Rankin Films. Offline Prem.
45 mins. Drama directed by Lena Heady. The Graft. Offline Prem.
Gareth P.'s Software Skills
Gareth is an advanced user of Premiere Pro.
Gareth is an advanced user of After Effects.
Gareth is an advanced user of illustrator.
Gareth is an intermediate user of DVR.
Gareth is an advanced user of Photoshop.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
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