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Dino S.
Dino S. Dubbing Mixer, Sound Designer.
Dino has been working as a Dubbing Mixer/Sound Designer in London since
2003, in both permanent and freelance roles. He has completed the Certified
Protools Operator 210P (Alchemea College of Audio Engineering) and has a Degree
in Music (B.Mus - Comp). Throughout his career he has won a number of UK awards
(Promax) and been nominated for RTS awards as well as a number of international
awards.
Some previous positions include: Senior Dubbing Mixer at Channel 4 TV
then Red Bee Media, Ericsson and in Soho for Concrete Post (Metropolis Post). He
has experience in most genres but regularly works on Promos, Documentaries,
Dramas, Commercials and Corporate and Online Films. Dino is an expert on
Protools (12HD) and uses ICON, S3 and S6 consoles mixing to International
Loudness specifications.
He has also done ADR & Foley work as well as being highly experienced recording VO’s for CEEMA and Nordic languages and uses Source Connect/ISDN regularly. He also works well under tight deadlines and at short notice.
60 and 30 sec viral for new Google service to train businesses and people on how to use all of Googles online. Google/ATP
(Avid Protools 12HD).
Corporate films and podcasts for DHL MILE (My Inspirational Leadership Essentials). 2-3 minutes. Maverick
(Avid Protools 12HD).
Corporate Film for EE about not having buffering on their network. 3 minutes. MPC/Cut + Run
(Avid Protools 12HD)
60 and 30 sec TV Commercials selling the hard wearing industrial phones by CAT. 60 and 30 sec cutdowns. Cut + Run
(Avid Protools 12HD)
Multiple promos for Discovery UK and Discovery France. 60, 30 and 15 sec. Discovery Channel
(Avid Protools 12HD)
Multiple promos for Disney channel in multiple languages. 60, 30 and 15 sec. Disney Channel
(Avid Protools 12HD)
Scripps.
(Avid Protools 12HD)
3 minutes. BBH/The Mill.
(Avid Protools 12HD)
3 minutes. BBH/The Mill.
(Avid Protools 12HD)
10 seconds. Discovery Channel
(Avid Protools 12HD)
30 seconds. Channel 4
(Avid Protools 12HD)
60 and 30 seconds. Channel 4.
(Avid Protools 12HD)
45 minutes. BBC/Prime Focus.
(Avid Protools 12HD)
45 minutes. History Channel. Prime Focus.
(Avid Protools 12HD)
30 minutes. Channel 4.
(Avid Protools 12HD)
Foley. 30 minutes. Fitzrovia Post
(Avid Protools 12HD)
45 minutes. Channel 4.
(Avid Protools 12HD)
Tracklaying. 30 minutes. BBC
(Avid Protools 12HD)
45 minutes. BBC
(Avid Protools 12HD)
55 minutes x 20. Channel 5.
(Avid Protools 12HD)
60 minutes. BBC 4
(Avid Protools 12HD)
90 minutes. Pure Film Productions
(Avid Protools 12HD)
90 minutes. PVK Pictures
(Avid Protools 12HD)
55 minutes. Channel 4
(Avid Protools 12HD)
15 minutes. Upstart Films
(Avid Protools 12HD)
55 minutes. Television in Europe
(Avid Protools 12HD)
45 minutes. Channel 4
(Avid Protools 12HD)
Dino S.'s Software Skills
Dino is an expert Pro Tools user.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
