Andy G. Compositor, Editor (Offline / Online), 3D Generalist, Motion Graphic Designer, Colourist, VFX Supervisor.
With over 10 years experience in all areas of post-production Andy demonstrates an amazingly deep and varied skillset. Having worked for three years as a 2D animator he developed a solid foundation of technical and artistic knowledge to build on. Following this he moved on to become an Online Editor at a very busy production house where he also refined his skills as a Colourist, 3D Generalist and Offline Editor. Most recently Andy has been travelling the world working as a 3D generalist and compositor. Andy has worked across all forms of visual media from TVCs, Music Videos, Feature Films to Television. His friendly and relaxed demeanour coupled with a passion to create great work has allowed him to thrive with in the industry.
10 Sec idents during La Vuelta. Chief (C4D, AE)
60 Sec Corporate with CGI Matress. Brickhouse
15 Sec TFI Friday ident with VFX transitions. Chief (Davinci, AE, Premiere)
10 Sec ident for Gogglebox with X Ray effect. TBWA (C4D, AE)
30 Sec Digital billboard for Piccadilly Circus featuring S10. Cheil (C4D, AE)
30 Sec TVC Raining CGI toilet rolls. Driven (C4D,AE)
30 Sec TVCs for 2 years from 2012-2014. TBWA
30 Sec TVCs 2 year campaign Neal the Sloth. Chief (C4D, AE, Davinci)
30 Sec TVC featuring Love Heart Particles. Chief (X-Particles, C4D, AE)
60 Sec TVC featuring CGI monsters. Clubhousefilms (Davinci)
30 Sec TVCs 2 year campaign with Barry Scott. (C4D, AE)
30 Sec TVC with stop motion office. Gratterpalm (AE)
15 Sec Viral for Women’s World Cup. Saatchi & Saatchi (Premiere, AE)
15 Sec Viral for new S10 and Note10. Cheil (C4D, AE)
3 Min Viral Labels Are Powerful competition. Chief (AE)
60 Sec Viral Behind the brands . Chief (AE, Premiere)
60 Sec Viral Magic touch football boot with seamless transitions. Chief (AE,FCP, Davinci)
2 x 30 Sec Viral with full CGI product and tiger animation. (C4D, AE,Premiere)
10 Sec Viral with liquid simulation. CREATV (Realflow, C4D, AE)
60 Sec Viral for SSD range. Cheil (C4D)
MV for Desire. Chief (AE)
MV foror Lose Control. Chief (AE)
MV for Something Soon. Chief (AE)
MV for It’s Gotta Be About Me. Chief (AE)
MV for I Don’t Really Care. Chief (AE)
MV for Nerve. Chief (C4D, AE)
MV for Breathe. Chief (Premiere, AE)
MV for Shiver. Chief (C4D, AE)
MV for Happiness, Chief (AE)
MV for Brand New Toy, Chief (AE)
MV for Boom Clap, Sony (Premiere, AE)
MV for Mother We Share. Chief (C4D, AE)
MV for Lies. Chief (C4D, AE)
MV for Under The Tide. Chief (C4D, AE)
MV for Children Of The Sun. Chief (AE)
Andy G.'s Software Skills
Andy is a highly experienced Premiere Pro editor.
Andy is an intermediate user of DVR.
Andy is a highly expericned After Effects Operator.
Andy is an advanced user of Mocha.
Andy is advanced in C4D.
Andy is an advanced user of XParticles.
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.