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Alexander C.
Alexander C. Editor (Offline / Online), Colourist, Creative Editing, Director, Motion Graphic Designer, Animator.
Alex C is a London native and experienced creative editor. He received a BA (Hons) in Theatre Studies from the University of Leeds and holds both a PG Diploma (Distinction) in Experimental Film Production and a Masters (Distinction) in Film Production. Having started his career as a music video director (working with labels like Sony, Independiente, and Mute Records) and award-winning experimental filmmaker, Alex now works full-time as an editor on film and commercial projects and has worked with some of the biggest Creative Agencies in the UK. Alex has recently worked with BAFTA Award-winning director Nic Holt on an observational documentary film for Gilead Sciences and Writer/Director Tania Emery on her short film starring multi-award-winning actor Henry Goodman. In 2021 Alex was included as part of the prestigious BAFTA Crew x BFI Network.
For Discovery (Avid Offline)
1 x 60" Off-Line editor for Sky TV documentary (PP) Ep 1,2,4,6,8 & 10 (60 mins longform)
100’ Feature about the best restaurant in the world. Documentree Films (Avid Assistant Editor/Online)
1 x 118’ Feature, 12 x 25’ TV Series, 9 x DVD Chapters. "1 Giant Leap" explore the universal complexities of human nature. (Avid Assistant Editor/QC)
1 x 23’ Investigation into the future of sexual politics. VICE UK (Resolve) Grad
1 x 4’30” Short about professional forager. VICE UK/AMUSE (Resolve/Grade)
5 x 5”30’ ‘Behind Closed Doors’ exploring the Uffizi, Louvre and Natural History Museums. 1st Ave Machine (Prem/AFX) Offline, Grade
WIP Investigating displacement and belonging. Outgrain Prods (Prem) Offline, sound
48” Portrait of Ray Jones and Portobello Rd. (FCP7) Off/Online
15” ‘Immersive’ portrait of DIY skate park in S London. (Prem/Resolve) Offline/Grade
1 x 20’ Investigation of the Hajj pilgrimage. VICE UK/ID (Resolve) Grade
16 x 60” Content & 22 x 20” Socials ‘Servito Con Stile’. Troublemaker (Prem/AFX)
3 x 10’-30’, 1 x DOOH ‘Lombardia Capsules’. TBWA London. (Prem/AFX)
1 x 6”20’ part of the ‘GQ State of Man’ Series. CONDE NAST (Prem) Offline
9 x 10” Socials. JN Production. (Prem/AFX) Offline/Motion
23 x 10” Socials, 5 x 60” films, ‘SS19’. JN Production (Prem) Offline, Grade SAMSUNG/RSC - 5 x 1’20”, 2 x 30’ trailer, 1 x 2”30’ ‘What would Shakespeare do’. Cheil. (Prem/AFX) Off/Online
1 x 1”35, 3 x 30” ‘Waste to Waves’. Foxtrot Papa (Prem/AFX) Off/Online, GFX, Grade
1 x 60” UGC Film #IAmAgent23. UNIT9 (Prem/AFX) Offline,VFX
3 x 2’ ‘Trying too hard’. ITN PRODS (Avid/Symphony) Off/Online, Grade
4 x 6”, 2 x 15”, 6 x 6”, 4 x 2” ‘Icy-Lock Pearls’. Spring Studios. (Prem/AFX) Offline
O2 - 5 x 10" - 60” Partnership with English RFU and Star Wars. VCCP (Prem/AFX) Offline
1 x 30” Cinema Spot #IAmAgent23. UNIT9 (Prem/AFX) Offline/VFX
1 x 30” Trailer for 2019 Season. Fall Off The Wall (Prem/AFX) Offline/VFX
3 x 20” TVCs ‘More of What Matters’. Slider (Prem/AFX) Offline
1 x 30” TVC ‘Warm Cookie Awaits’. Slider Creative (Prem) Offline
1 x 30” TVC ‘Small is beautiful’. Mcgarrybowen (Prem) Offline
20” TVC ‘Rise & Shine’ with MIND. Fresh Film Prods. (Prem/AFX) Offline, GFX
1 x 20’ TVCs 4 x 15’ Socials ‘Wonderluxe’. Spring Studios (Prem/AFX)
2 x 15” TVCs ‘At home styling’. Fresh Film Prods (Prem/AFX) Offline
2 x 30” TVCs ‘In an Instant’. Fresh Film Prods (Prem/AFX) Offline/VFX
4 x 20” Sponsorship Bumpers. ‘On Set with MINI Connected’. UNIT9 (AFX) VFX
2 x 30” VR Teaser Films. ‘MINI Connected’ USA. UNIT9 (Prem/AFX) Offline/VFX
6 x 10” Discovery idents. Slider (Prem/AFX) Offline, Sound
1 x 2’ thanking Keyworkers. Wizzard (Prem/AFX/Resolve) Offline, Sound, Colour
‘Squads’. Multiple DOOH. Spring Studios (Prem/AFX)
5 x 3’15” Celebrating 200 Yrs. Rufus Leonard. (Prem) Offline
1 x 2’ Case Study for Clio Awards. Spring Studios. (Prem) Offline
2 x 60” Launch film for Redi-Go. TBWA London (Prem/AFX) Offline
1 2’30” AMP Shoes Case Study. Langland (Prem/AFX) Off/Online
2 x Sizzle Reels to present to new owners. AMV BBDO (Prem/AFX)
Global hype reel for re-brand of Chivas Regal (Prem/AFX)
House reel (Prem/AFX)
House reel (Prem/AFX)
Various house reels (Prem/AFX)
EOY Sizzle reel. UNILEVER (Prem/AFX)
Various pitches/mood/case study films (Avid/Prem/AFX)
Dettol mood film(Avid)
Alexander C.'s Software Skills
Highly skilled PP editor.
Mid Level.
Mid Level.
Mid Level.
Mid Level.
Mid Level.
Mid Level AFX.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
