Alexander C. Editor (Offline / Online), Colourist, Creative Editing, Director, Motion Graphic Designer, Animator.
Alex is an award-winning
offline editor. He started his career directing and editing music videos for
renowned labels like Mute & Sony, and brings with him a comprehensive
technical and creative skillset (which includes credits for grading and
animation) and a depth of experience, a passion for editing and an instinctive
understanding of pace, story and rhythm. His impressive client list spans the
worlds biggest brands and international advertising agencies from branded
content to TVCs. Alex is friendly, patient and collaborative and is able to
tease out the heart of a story from any material. Having been awarded a Masters
(Distinction) in film from Raindance , he also received ‘foundation’ certificates
in both Screen writing and Documentary Filmmaking to enhance his craft.
HOW I BECAME THE ANTMAN - 1 x 4’30” Short about a professional forager. VICE UK/AMUSE (Grading in Resolve/Grade)ESOLVE)
5 x 5”30’ ‘Behind Closed Doors’ Presented by Tom Scott exploring the Uffizi, Louvre and Natural History Museums. 1st Ave Machine (PREMrem/AFX)
Film investigating displacement and belonging. Outgrain Prods (PREM)
Short Film a snapshot of neuro-diverse teenager into Cosplay (PREM) Winner Best Film UNICEF Innocenti Film Festival
Paramount Global, BET Networks - Jabari Banks (Fresh Prince of Bel Air) examines Nelson Mandela’s staggering legacy (AVID)
Beezr Studios & Spark North for C4 - Giving communities across Britain tools and skills to tackle DIY challenges - properly! (AVID)
BBC - How the BBC is tackling diversity and inclusion.
Spun Gold TV - exposé of The Pearl Qatar ahead of the Fifa World Cup (AVID)
TLC - A DNA detective digs into the past to find a young woman’s real father (AVID)
Futurenet (Barcroft) - 2 x EPS, 4 high octane stories with life and death stakes solved by CCTV (AVID)
1 x 60" Off-Line editor for Sky TV documentary (PP) Ep 1,2,4,6,8 & 10 (60 mins longform)
WIP Investigating displacement and belonging. Outgrain Prods (Prem) Offline, sound
48” Portrait of Ray Jones and Portobello Rd. (FCP7) Off/Online
An immersive’ portrait of DIY skate park in S London from photographer Phil Fisk. (PREM/RESOLVE)
1 x 20’ Investigation of the Hajj pilgrimage. VICE UK/ID (Resolve) Grade
16 x 60” Content & 22 x 20” Socials ‘Servito Con Stile’. Troublemaker (Prem/AFX)
3 x 10’-30’, 1 x DOOH ‘Lombardia Capsules’. TBWA London. (Prem/AFX)
1 x 6”20’ part of the ‘GQ State of Man’ Series. CONDE NAST (Prem) Offline
9 x 10” Socials. JN Production. (Prem/AFX) Offline/Motion
23 x 10” Socials, 5 x 60” films, ‘SS19’. JN Production (Prem) Offline, Grade SAMSUNG/RSC - 5 x 1’20”, 2 x 30’ trailer, 1 x 2”30’ ‘What would Shakespeare do’. Cheil. (Prem/AFX) Off/Online
1 x 1”35, 3 x 30” ‘Waste to Waves’. Foxtrot Papa (Prem/AFX) Off/Online, GFX, Grade
1 x 60” UGC Film #IAmAgent23. UNIT9 (Prem/AFX) Offline,VFX
3 x 2’ ‘Trying too hard’. ITN PRODS (Avid/Symphony) Off/Online, Grade
4 x 6”, 2 x 15”, 6 x 6”, 4 x 2” ‘Icy-Lock Pearls’. Spring Studios. (Prem/AFX) Offline
O2 - 5 x 10" - 60” Partnership with English RFU and Star Wars. VCCP (Prem/AFX) Offline
Rainforest 1x30” TVC Global Online. Dir Stuart Parr. Fresh Film Prods
LUTON EXPRESS 1x30” TVC UK. Dir Fredrik Bäckar. McCann
1 x 30” TVC UK & Eire. Dir Gar O’Rourke, Prodigious Worldwide
6 x 10” Discovery idents. Slider
4 x 20” Sponsorship Bumpers. ‘On Set with MINI Connected’. UNIT9
1 x 30” Cinema Spot #IAmAgent23. UNIT9 (Prem/AFX) Offline/VFX
1 x 30” Trailer for 2019 Season. Fall Off The Wall (Prem/AFX) Offline/VFX
3 x 20” TVCs ‘More of What Matters’. Slider (Prem/AFX) Offline
1 x 30” TVC ‘Warm Cookie Awaits’. Slider Creative (Prem) Offline
1 x 30” TVC ‘Small is beautiful’. Mcgarrybowen (Prem) Offline
20” TVC ‘Rise & Shine’ with MIND. Fresh Film Prods. (Prem/AFX) Offline, GFX
1 x 20’ TVCs 4 x 15’ Socials ‘Wonderluxe’. Spring Studios (Prem/AFX)
2 x 15” TVCs ‘At home styling’. Fresh Film Prods (Prem/AFX) Offline
2 x 30” TVCs ‘In an Instant’. Fresh Film Prods (Prem/AFX) Offline/VFX
4 x 20” Sponsorship Bumpers. ‘On Set with MINI Connected’. UNIT9 (AFX) VFX
2 x 30” VR Teaser Films. ‘MINI Connected’ USA. UNIT9 (Prem/AFX) Offline/VFX
6 x 10” Discovery idents. Slider (Prem/AFX) Offline, Sound
1 x 2’ thanking Keyworkers. Wizzard (Prem/AFX/Resolve) Offline, Sound, Colour
‘Squads’. Multiple DOOH. Spring Studios (Prem/AFX)
5 x 3’15” Celebrating 200 Yrs. Rufus Leonard. (Prem) Offline
1 x 2’ Case Study for Clio Awards. Spring Studios. (Prem) Offline
2 x 60” Launch film for Redi-Go. TBWA London (Prem/AFX) Offline
1 2’30” AMP Shoes Case Study. Langland (Prem/AFX) Off/Online
2 x Sizzle Reels to present to new owners. AMV BBDO (Prem/AFX)
Global hype reel for re-brand of Chivas Regal (Prem/AFX)
House reel (Prem/AFX)
House reel (Prem/AFX)
Various house reels (Prem/AFX)
EOY Sizzle reel. UNILEVER (Prem/AFX)
Various pitches/mood/case study films (Avid/Prem/AFX)
Dettol mood film(Avid)
Netflix Doc exploring the best restaurant in the world and it’s chef Réne Redzepi. Documentree Films (AVID Assistant Editor/Online)
Netflix. 1 x 118’ Feature, 12 x 25’ TV Series, 9 x DVD Chapters. "1 Giant Leap" explore the universal complexities of human nature. (Avid Assistant Editor/QC)
Alexander C.'s Software Skills
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.