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Alexander C.
Alexander C. Editor (Offline / Online), Colourist, Creative Editing, Director, Motion Graphic Designer, Animator.
Alex is an award-winning commercial and branded content
editor whose work includes the International Emmy-nominated series ‘The Mandela
Project’. Specialising in high-end campaigns, digital storytelling and
agency-driven work, his credits include projects for MINI, Samsung, Jaguar Land
Rover, Nissan, Hilton, American Express, Visa and Starbucks, working with
leading agencies and production companies including McCann, TBWA, VCCP, Adam
& Eve, MullenLowe, UNIT9, C4 and Cheil.
Originally starting his career directing and editing
music videos for labels including Mute and Sony, he developed a strong visual
sensibility and instinctive understanding of rhythm, tone and storytelling. His
background in music videos and documentary storytelling gives his commercial
and corporate work a strong sense of narrative, pace and visual style.
Alex works closely with agencies and directors to craft
visually engaging films across campaigns, social content and digital series.
Alongside editing he integrates After Effects motion design and graphics, and
uses AI-assisted tools such as Nano Banana and Eddie AI to streamline
workflows, organise material and accelerate post-production.
Calm, collaborative and comfortable working at pace,
Alex is equally at home working closely with directors and creatives in the
room or independently shaping edits from script, rushes and reference material.
France ‘Lombardia Capsules’. Dir. Sam Robinson TBWA London.
30” TVC UK. Dir Dan Humphreys. Curious? Prods
Rainforest 1x30” TVC Global Online. Dir Stuart Parr. Fresh Film Prods
LUTON EXPRESS 1x30” TVC UK. Dir Fredrik Bäckar. McCann
1 x 30” TVC UK & Eire. Dir Gar O’Rourke, Prodigious Worldwide
UK 6 x 10” Discovery idents. Slider Creative
3 x 20” Sponsorship Bumper. ‘On Set with MINI Connected’. Dir. Bipolar Studio UNIT9
UAE 1 x 30” Cinema Spot #IAmAgent23. UNIT9 Dir. Alex de Rakoff
UK 1 x 30” Trailer for 2019 Season. Fall Off The Wall (Prem/AFX) Offline/VFX
3 x 20” TVCs ‘More of What Matters’. Slider (Prem/AFX) Offline
1 x 30” TVC ‘Warm Cookie Awaits’. Slider Creative (Prem) Offline
1 x 30” TVC ‘Small is beautiful’. Mcgarrybowen (Prem) Offline
20” TVC ‘Rise & Shine’ with MIND. Fresh Film Prods. (Prem/AFX) Offline, GFX
UK 20’ TVC ‘Wonderluxe’. Dir. James Barnfield Spring Studios
USA 2 x 15” TVCs ‘At home styling’. Fresh Film Prods
USA 2 x 30” TVCs ‘In an Instant’. Fresh Film Prods
‘Bouillon Bag’ Mullenlowe/Curious? Dir. Sean de Sparing
‘For Everyday’ Iris/Curious? Dir. Dan Humphreys
3 x ‘Dani Dyer’ Adam & Eve/Fresh Film Prods Dir. Emily Freda Sharp
‘Doppleganger’ Adam & Eve/Fresh Film Prods Dir. Laura Borgio
‘Listen Up’ DMS UK
‘City of London Academy’ DMS UK
16 x 60” Content & 22 x 20” Socials ‘Servito Con Stile’. Troublemaker (Prem/AFX)
3 x 10’-30’, 1 x DOOH ‘Lombardia Capsules’. TBWA London. (Prem/AFX)
1 x 6”20’ part of the ‘GQ State of Man’ Series. CONDE NAST (Prem) Offline
9 x 10” Socials. JN Production. (Prem/AFX) Offline/Motion
23 x 10” Socials, 5 x 60” films, ‘SS19’. JN Production (Prem) Offline, Grade SAMSUNG/RSC - 5 x 1’20”, 2 x 30’ trailer, 1 x 2”30’ ‘What would Shakespeare do’. Cheil. (Prem/AFX) Off/Online
1 x 1”35, 3 x 30” ‘Waste to Waves’. Foxtrot Papa (Prem/AFX) Off/Online, GFX, Grade
1 x 60” UGC Film #IAmAgent23. UNIT9 (Prem/AFX) Offline,VFX
3 x 2’ ‘Trying too hard’. ITN PRODS (Avid/Symphony) Off/Online, Grade
4 x 6”, 2 x 15”, 6 x 6”, 4 x 2” ‘Icy-Lock Pearls’. Spring Studios. (Prem/AFX) Offline
O2 - 5 x 10" - 60” Partnership with English RFU and Star Wars. VCCP (Prem/AFX) Offline
1 x 3’30” VR Promo for TV Show ‘Quantico’ on ABC. UNIT9 Dir. Jonathan Pearson
2 x 30” VR Teaser Films. ‘MINI Connected’ USA. UNIT9 (Prem/AFX) Offline/VFX
1 x 2’ thanking Keyworkers. Wizzard (Prem/AFX/Resolve) Offline, Sound, Colour
‘Triathlon Squad’. Multiple DOOH. Spring Studios Dir. James Barnfield
5 x 3’15” Celebrating 200 Yrs. Rufus Leonard. (Prem) Offline
1 x 2’ Case Study for Clio Awards. Spring Studios. (Prem) Offline
2 x 60” Launch film for Redi-Go. TBWA London (Prem/AFX) Offline
1 2’30” AMP Shoes Case Study. Langland (Prem/AFX) Off/Online
2 x Sizzle Reels to present to new owners. AMV BBDO (Prem/AFX)
Global hype reel for re-brand of Chivas Regal (Prem/AFX)
House reel (Prem/AFX)
House reel (Prem/AFX)
Various house reels (Prem/AFX)
EOY Sizzle reel. UNILEVER (Prem/AFX)
Various pitches/mood/case study films (Avid/Prem/AFX)
Dettol mood film(Avid)
Feature Doc.
Futurenet for Discovery ID- High octane stories with life and death stakes solved by CCTV (AVID)
Futurenet for Discovery ID - High octane stories with life and death stakes solved by CCTV (AVID)
About a professional forager. VICE UK/AMUSE (Colour Grade in RESOLVE)
Investigation into the future of sexual politics. VICE UK (Colour Grade in RESOLVE)
5 x 5”30’ ‘Behind Closed Doors’ Presented by Tom Scott exploring the Uffizi, Louvre and Natural History Museums. 1st Ave Machine (PREMrem/AFX)
Artist Juan Delgado investigates displacement and belonging. Outgrain Prods (PREM)
A snapshot of neuro-diverse teenager into Cosplay (PREM) Winner Best Film UNICEF Innocenti Film Festival
Paramount Global, BET Networks - Jabari Banks (Fresh Prince of Bel Air) examines Nelson Mandela’s staggering legacy (AVID) EMMY Nomination
Beezr Studios & Spark North for C4 - Giving communities across Britain tools and skills to tackle DIY challenges - properly! (AVID)
BBC Factual - How the BBC is tackling diversity and inclusion.
Spun Gold TV - exposé of The Pearl Qatar ahead of the Fifa World Cup (AVID)
Freemantle for TLC - A DNA detective digs into the past to find a young woman’s real father (AVID)
Futurenet (Barcroft) - 2 x EPS, 4 high octane stories with life and death stakes solved by CCTV (AVID)
WIP Investigating displacement and belonging. Outgrain Prods (Prem) Offline, sound
Portrait of Ray Jones and Portobello Rd. (FCP7)
An immersive’ portrait of DIY skate park in S London from photographer Phil Fisk. (PREM/RESOLVE) London Short Film Festival, Liverpool Underground
1 x 20’ Investigation of the Hajj pilgrimage. VICE UK/ID (Resolve) Grade
Prod. Documentree Films
Dist. Magnolia Films Amazon, iTunes, CinemaNow - A creative journey exploring
the best restaurant in the world and it’s chef Réne Redzepi.(AVID Assistant
Editor/Online) Dir. Pierre Duschamps
Prod. 19 Entertainment
Dist. Deep Blue Ltd - Woodstock Film Festival, YoiuTube, Films of Action 118’ Feature,
12 x 25’ TV Series, 9 x DVD Chapters.
"1 Giant Leap" explore the universal complexities of human nature. (Avid
Assistant Editor/Re-cut, re-master) WINNER Best Documentary Feature Red Rock
Film Festival Dir. Duncan Bridgeman
Alexander C.'s Software Skills
Highly skilled PP editor.
Mid Level.
Mid Level.
Mid Level.
Mid Level.
Mid Level.
Mid Level AFX.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
