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Will S.
Will S. Editor (offline), Animator, Motion Graphic Designer.
Will is an experienced Editor working for a broad spectrum of clients including the BBC, Channel 4, World Wildlife Foundation, Arts Council England to Unilever, MSQ, Asda, Childline, Royal Mail, Skrill, Tetra Pak and Zalando.
No matter who Will is cutting for, he always maintain the same approach, story, character and emotion are key as well as grabbing attention, delivering on time, on budget and to the highest possible quality whilst keeping it interesting, fun and offering timely creative solutions along the way.
2 min case study surrounding their ‘Nobody is Normal’ campaign (Premiere, After Effects)
2 min internal case study surrounding their website relaunch (Premiere, After Effects)
2 min internal case study on company services and advertising (Premiere, After Effects)
2 min internal case study on company services and advertising (Premiere, After Effects)
2 min company promo celebrating their core 7 principles (Premiere, After Effects)
15 min corporate film celebrating the 50th anniversary of WWF with interviews from business and global thought leaders. Big Picture TV for WWF (Premiere Pro)
15 min branded factual film promoting the exhibition with artist and curator interviews. Arts Council Collection (Premiere Pro, After Effects)
15 min branded factual film promoting the exhibition with artist and curator interviews. Arts Council Collection (Premiere Pro, After Effects)
15 min branded factual film promoting the exhibition with artist and curator interviews. Yorkshire Sculpture Triangle (Premiere Pro, After Effects)
10 min branded film promoting the exhibition with artist and curator interviews. The Hepworth Wakefield (Premiere Pro, After Effects)
10 min branded film promoting the exhibition with artist and curator interviews. The Hepworth Wakefield (Premiere Pro, After Effects)
10 min branded film promoting the exhibition with artist and curator interviews. The Hepworth Wakefield (Premiere Pro, After Effects)
20 min branded interview film with Artist Bill Viola and his wife about his life’s work. Yorkshire Sculpture Park (Premiere Pro, After Effects)
15 min branded film tracking the installation and rehousing of Roger Hiorns artwork from London to Yorkshire. Southbank Centre (Premiere Pro, After Effects)
Garth Evans - 10 min film promoting the exhibition with artist and curator interviews.
Arts Council Collection (Premiere Pro, After Effects)
10 min film promoting the exhibition with artist and curator interviews.
Arts Council Collection (Premiere Pro, After Effects)
20 min film promoting the exhibition with artist and curator interviews. Arts Council Collection (Premiere Pro, After Effects)
10 min branded factual film promoting the exhibition with artist and curator interviews. Yorkshire Sculpture Triangle (Premiere Pro, After Effects)
10 min branded film promoting the exhibition with artist and curator interviews. Arts Council Collection (Premiere Pro, After Effects)
(TVC) Dir. Harry Smith for Brave Spark Agency. (Avid)
(4 x TVC) Dir. Greg Clark for Uber Agency. (Avid)
(TVC) Dir. Greg Clark for Uber Agency. (Avid)
(TVC) Dir. Greg Clark for Uber Agency. (Avid)
(TVC) Dir. Chantelle Davis for Big Phillies. (Premiere Pro, After Effects)
(Online Ad) Dir. Phil Cameron for No1 Traveller (Premiere Pro)
(TVC) Dir. Dave Mullen for Loaf Agency (Premiere Pro)
5 min. Social Promo interview and match edits. Allies Agency for Skrill (Premiere Pro, After Effects)
10 x Social Promo films. Fan and footballer interviews ahead of the EFL Cup. Allies Agency for Social Chain (Premiere Pro, After Effects)
Dir. Dave Mullen for Loaf Agency (Premiere Pro)
1 x 60 min. How does the UK function under the shadow of Covid? Shot over 24 hours, this film touches on the funny and the poignant, as it gauges the virus's impact across the country. Candour Productions for Channel 4 (UGC Logger)
1 x 30 min. Documentary series examining the reality of life for young people in Britain today. Interplay for BBC 3 (Premiere Pro, Editor)
4 x 15 min. A series of stories around Caving, Climbing, Kayaking and Helvellyn Triathlon funded by the UK government for exploratry use of 5G in documentary filmmaking. Candour Productions (Avid, Editor)
4 x 10 min. Behind the scenes films to accompany the Live and Wild documentary series. Candour Productions (Avid, Editor)
4 x 60 min. Factual series following those who built and live on The Pearl in Qatar, a man made island in Doha. SpungGold TV for Al Jazeera (Avid Offline)
1 x 30 min. Celebrating the diversity of our society across the British Isles, through people sharing their extraordinary stories. Candour Productions for BBC 1 (Avid Offline)
3 x 60 min. A look behind the scenes of the pre-owned luxury market, where leading firm Xupes track down second-hand high-end goods from Cartier to Prada. Directed by Richard Macer, Wise Owl Films for Channel 4 (Avid, Offline Editor)
4 x 15 min. Reality series set in the bustling UK city of Manchester that follows the lives of a group of young creatives, whose relatable stories are shared with their Instagram community. Interstellar Productions for Channel 4 (Premiere Pro - Offline Editor, Compositing & Motion Design – After Effects)
Will S.'s Software Skills
Advanced Avid editor.
Advanced Premiere pro editor.
Mid - Advanced level.
Mid level.
Mid level grader.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
