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Vincent G.
Vincent G. Compositor.
Vincent is a versatile and creative Compositor with extensive experience across film and commercials.
Working with Nuke software, he is well placed to establish workflows for greenscreen keying, set extensions, clean-up, CG integration, beauty retouch, and 3D compositing techniques.
Dupe VFX, London.
Dupe VFX, London.
Peerless Camera Company, London.
Lead 2D Artist on sequence of over 40 shots for Indian science fiction film, Unit Studios, London.
Director: Peyton Reed, monitor screen replacements for Marvel.
Director: Alan Taylor, hand replacement.
Director: Len Wiseman, MPC, London
MPC, Shake Compositor
Director: Tom Hooper, Mill Film, London
Director: Chris Weitz, Cinesite, London
Director: Matthew Vaughan, The Senate VFX, London
Director: Ralph Fiennes, One of Us, London
Director: Tim Burton / Mike Johnson, MPC, London
Director: Keenan Ivory Wayans, MPC, London
Director: Ridley Scott, MPC, London
Director: Brian Levant, Jim Henson's Creature Shop
Director: Nick Park, MPC, London
Director: John Stephenson, Jim Henson's Creature Shop
Director: Billy O'Brien, MPC, London
Director: Frank Coraci, Jim Henson's Creature Shop
Director: Ridley Scott, MPC, London
Director: Robert Stromberg, MPC, London
Director: Noam Murro, MPC, London
Director: James Gunn, MPC, London
Director: Thor Freudenthal, MPC, London
Director: John Henderson, Jim Henson's Creature Shop
Hand replacement
Season 1. Unit Film & TV / Sky / HBO
Season 2, episode 3. Peerless
Camera Company.
Sky. Battle scene enhancements (smoke/blood & gore). Unit Studios, London.
Director: Yoeri Holsheimer, Lev Pictures / RTL Amsterdam
HDTV, Director: Vadim Jean, 2 x 60 min episodes. Fluid Pictures / Sky
BBC1. 4 shots
completed for the BBC's Autumn 2015 major period piece drama. Set
extensions , environment enhancement, battle scene blood and gore
embellishment. Bluebolt VFX
Flame Operator, Jim Henson's Creature Shop
Idents (2d animation integrated with 3D geometry). Nexus Studios, London.
1x40sec, 1x30sec spots. Envy Post
3 x TV Spot, compositing of crowd elements to populate stadiums. Envy Post.
1 x 40 sec TV Spot, compositing of crowd elements to populate football stadium. Envy Post.
1x 30 sec TV spot, VCCP.
1x 60 sec, 1 x 20 sec, 1x15 sec spots, Hogarth WW.
1 x 40 sec, 1 x 30 sec, Unit Post Production, London
1 x 25 sec spot, The Bakery, Amsterdam
2 x 25 sec spots, The Bakery, Amsterdam
1 x 30 sec spot, The Bakery, Amsterdam
2 x 25 sec spots, The Bakery, Amsterdam
1 x 25 sec spot, The Bakery, Amsterdam
1 x 60 sec, 2 x 30 sec, Comrad, Amsterdam
1 x 40 sec for cinema, Comrad, Amsterdam
TV spot 1x 40 sec. Compositing of crowd elements to populate football stadium. (Envy Post)
1 x 30 sec spot, The Bakery / BSUR, Amsterdam
Comedy horror series. Set extentions (greenscreen) , CG character integration and digital clean-up on
E4's new comedy/horror offering.
Director: Annemarie van de mond, ShoSho / RTL Amsterdam
422 South / Discovery Channel
422 South / ZDF / Discovery Channel
Shake Compositor, The Indestructible Production Company
Flame Operator, Jim Henson’s Creature Shop.
HDTV, BBC / Jim Henson's Creature Shop
2 x 15 sec. campaign films for web. Okay Studio, London.
3 x 40 sec, Baked Beans, Amsterdam
1 x 60 sec, The Bakery, Amsterdam
Shake Compositor, 3D IMAX production, Universal Studios Theme Park at Osaka, Japan. Jim Henson's Creature Shop
Channel bumpers (Anthony Joshua ) NUKE compositing
2 x 15 sec, MPC, London
1x 40sec, Nuke compositing. Sky Creative.
Title sequence. Sky Creative.
Nuke compositing. Sky Creative.
3 title sequences. CG flags integration for Sky Sports flagship weekend football programme. Sky Creative.
On-set supervision and lead artist role in interpreting clients aim of bringing 'magical realism' to a ground-breaking new science series commissioned by Netflix. Unit Studios, London.
3D geometry tracking using Keen Tool’s Face Tracker plug-in for Nuke. Builders Club, London.
Motion retouch at Okay Studio, London. Beauty work and retouching of key new products in launch films.
Vincent G.'s Software Skills
Vincent is a highly experience Nuke user.
What Our Clients Say
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Channel 5
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Cartoon Network & Boomerang Italy
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
Andrea Bishop
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
Stefanie Kirlew
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.
Nana Opoku
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