Tom W. Editor (offline), Motion Graphic Designer, Compositor, Animator.
Tom has over 10 years’ experience as an editor, with solid storytelling experience. Tom is confident, easy-going and conscientious. He knows editing is about making an emotional connection with an audience and he understands it is also about connecting with his clients: listening, asking the right questions and offering opinions and guidance. He enjoys working closely with clients or when given creative autonomy. He works well under pressure and enjoys the excitement of high production value, high-level work.
He is also fluent in Brazilian Portuguese.
Animations 2 x 20s Mission. (AFX) Created animations
1x90’, 3x30s (Premiere) Edited and reversioned for multiple platforms: instagram, facebook.
Created animations (AFX)
The Edge Created animations (AFX)
30”x 3, 15” x 3 Cubo (Premiere) Edited, Sound Designed.
90”, 30”, 25”, 15” Purple. (Premiere, AFX) Edited, comped VFX, oversaw grade and sound mix and multiple reversions for various markets: Cinema & TVC in Poland, TVC in Hungary, TVC in Korea, Global online.
4 x 60” TVCs ADAPTS & 4x30” CUTDOWNS (Premiere, AFX). H&O
Edited, created VFX and adapted for local markets
4 x 10” TVCs (Premiere, AFX). Hogarth
Edited and created VFX.
3 x 30” TVCs (Premiere, AFX) Hogarth, Editing
2 x 30” Cinema ads (Premiere, AFX) Ogilvy
This campaign won a Bronze Lion at Cannes
30” TVC- Ogilvy
Premiere, AFX, Edited and created animated graphics.
90” (short film)
Ogilvy. Edited and worked on VFX. EY - Award winners - 2 x 3’ (Premiere) Commercials
3’ Viral (FCP, AFX) Now and Partners.
Edited and created animation.
4 x 3’ Social Videos (FCP) Edited.
90” Social Ad Adapt (Premiere, AFX).
30” Social Ad Cut down (Premiere). Edited
4 x 20” Animations (AFX). Animated
2 x 30” SECOND SOCIAL AD (Premiere, AFX) Ogilvy.
2” Social Ad (AFX and Premiere) Edited and created animation.
2” Social Ad. (Premiere, AFX) Edited and created animation
30” social ad (Premiere) Ogilvy. Edited
60” social ad. (Premiere, AFX) Ogilvy
3 x 30” social ads. (Premiere, AFX) Hogarth. Edited and created animated graphics.
2 x 30” Facebook ads (Premiere) Ogilvy.
45” Facebook ad (Premiere, AFX)
Full Fat Films. Edited and created VFX
3’40” Music Promo (FCP, AFX) Edited & created animation
3’ Music Promo (FCP). Soul Rebel
3’ Music Promo (FCP). Umut Gunduz. Edited
4’ Music Promo (FCP, AFX).
Smith & Werber. Edited and created VFX.
3’ Music Promo. (FCP)
A Royal Team Tak (documentary on male mental health featuring Prince William, Peter Crouch, Thierry Henri, Jermaine Jenas, Gareth Southgate, Danny Rose, Dan Walker) (Avid)
21 Again (Makeover reality show) (Avid)
RuPaul’s Drag Race: ‘Meet the Queens’ (Premiere)
Mo Gilligan Top Boy trailer (Promotional comedy sketch with stars of Top Boy and Mo Gilligan ) (Premiere)
Gordon Ramsay’s Raw Recruits (pilot) (Avid)
3’ mini doc (FCP) Ladoja & Sons. Edited.
Online cutdowns (Premiere)
Online version (Premiere)
Documentary series on victims of knife crime 6 x 5’ Edited (Premiere)
3’ mini doc (FCP) Ladoja & Sons. Edited.
3’ Mini doc (Premiere) Smith & Werber
Tom W.'s Software Skills
Tom is a highly experienced Avid offline Editor.
Tom is a highly experienced offline Premiere Pro Editor.
Tom is a highly experienced offline FCP7 Editor.
Tom is highly experienced After Effect Animator & Compositor.
Tom is a highly experienced Nuke user.
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.