Laine K. 3D Generalist, 3D Animator, 3D Modeller, Designer, Motion Graphic Designer, Title Designer, Animator.
Laine is a VFX and 2D Generalist, currently working in London. Excellent 3D and 2D skills throughout pre-production, production and post.
Creating visuals, concept artwork that convey the idea of the project and characters. Creative mind always contributing fresh ideas and solutions to the table.
Worked in studios such as: Marshmallow Laser Feast, Projection Artworks, Geometry Global, Koffeecup, Matrix APA, Ogilvy, Heist.
On projects for: Lucky Strike, Treehugger, Jaguar, Dyson, Macallan, Hennessy, Asos.
8 sec parallax style viral for new Business travel credit card. Commissioned by Ogilvy UK, British Airways.
Used photo editing in Photoshop, creating 3D environment in Cinema 4D using projections and animating the scene. Post-production in After Effects.
Photoshop, Cinema 4D, After Effects.
24 sec new shapewear launch video. 3D assets, animation, lighting done with Maya. Used Redshift render engine. Sequence composited in Nuke and edited in After Effects.
Maya, Redshift, Nuke, After Effects.
A 1:51 min tribute to the Hennessy Master Blenders quest. Worked as part of Marshmallow Laser Feast team on 3D modelling in Maya, Zbrush, Rhino. Rendering in Maya. Technical drawings in Rhino.
Maya, Zbrush, Rhino.
Visuals for the Expo, commissioned by Pixel Artworks. Concept artwork for the events light projection installations, taking place in various iconic Dubai landmarks.
Pitch Illustration commissioned by Pixel Artworks. Pitch illustration for new Dyson products deck.
Pitch Illustration commissioned by Matrix APA. Pitch illustration for new OHMY products deck.
Pitch Illustration commissioned by Matrix APA. Pitch illustration for new Nudle products deck.
Pitch Illustration commissioned by Matrix APA. Pitch illustration for new Primark products deck.
Advertisement posters commissioned by Geometry Global(UK). Creating 3D renders of Vype products. Minor editing/color grading in Photoshop.
Cinema 4D, Photoshop.
Advertisement posters commissioned by Geometry Global(UK). Creating 3D renders of Lucky Strike product packaging. Minor editing/color grading in Photoshop.
Cinema 4D, Photoshop.
VR Experience for the launch of the new Jaguar EPACE, worked as part of Koffeecup team on 3D modelling in Maya. Low poly assets modelled for game engine.
Laine K.'s Software Skills
Laine is an experienced Maya user.
Laine is an experienced C4D user.
Laine is an experienced AFX user.
Laine uses Nuke on an intermediate level (good knowledge and comfortable with).
Laine is an experienced ZBrush user.
Laine is an experienced PS user.
Laine is an experienced Illustrator user.
Laine is an experienced Arnold user.
Laine is an experienced PP user.
Soho Editors played a massive role in the success of Channel Five's recent postproduction build project.
Soho Editors always provide us with high-calibre, enthusiastic graphic designers - often at extremely short notice.
Ever since I signed for Soho Editors 3 years ago I’ve had nothing but positive things to say about them, from the quality of work that they get me to how the whole team are as people. The team really take care of you, and although it’s a massive agency they really have a personal touch and make you feel comfortable with every aspect of what each job entails.
You also really believe that they care about you individually, I remember telling Emma that I loved Football and the next week she’d got me on a Nike football film which I was buzzing about. I think it’s those personal touches that really make them the best.
I can’t recommend them enough. I hope I’m with them for many years to come.
We’ve been using Soho Editors for a while now, and the change-over to remote work was seamless, very helpful agency and amazing talent, I can only recommend.
We’ve been using Soho Editors for a number of years. Throughout this time, they have always provided excellent talent. Since going remote, they continue to assist us, even at very short notice. Such a friendly and accommodating team!
I became aware of Soho Editors in 2005 when I got my start in Production. They were a favourite then but now in 2020 and especially in these tough times, they have become an industry staple. They seek out to find the best Remote Editors for my briefs. It's always worth getting in touch. With an impressive rosta of veterans and new talent, I’ve never been disappointed.