Garry was part of the Oscar and Bafta winning VFX team for Interstellar and Oscar winning team of Ex-Machina during a six-year period working for Double Negative. He has worked in the film industry for over 10 years and on over 60 high end feature films, performing the VFX Digital Colour Timing on Christopher Nolan’s Interstellar, Dark Knight Rises and Dunkirk.

Prior to collaborating with Soho Editors, Garry has worked as a Freelance Colourist in Soho, Berlin, Amsterdam and Zurich providing the grade for Feature Films and TV Drama’s, with extensive experience working with the Director and DOP to establish the look of each project.

Having begun his filmmaking education working in a film lab in Soho, Garry has a vast knowledge of film stocks and film print emulation luts, which he incorporates into modern digital film workflows in accordance to the Director or DOP’s tastes, providing show luts in pre-production to be used onset.

Garry implements a unique Colour Pipeline from Production and Post-Production that gives him unrestricted image integrity to work with in the grade.